Did you know that Bodh Gaya is where Gautam Buddha attained enlightenment? Legend has it that after days of deep meditation under the Bodhi Tree, Siddhartha Gautama achieved profound insight, transforming into Buddha. This serene location in Bihar remains a pilgrimage site for millions, symbolizing peace and spiritual awakening.
A fact about Buddha: Before his enlightenment, Siddhartha Gautama was a prince who renounced his royal life in search of truth and understanding. His journey of self-discovery and teaching continues to inspire countless people around the world.
My inspiration for this loose representational painting comes from the rich spiritual heritage of Bihar. I aimed to capture the tranquility and significance of Bodh Gaya, hoping to reflect the peaceful aura that Buddha’s story brings to this sacred site.

Creating this painting was a deeply enriching experience, and I approached it with a slightly unconventional method.
I began with a detailed sketch, outlining the serene figure of Buddha, Tree, and the distant temples. This sketch served as the foundation for my work, ensuring that each element was positioned to convey the story effectively.

Instead of starting with the background, I chose to paint Buddha first. This approach allowed me to focus on the central figure from the outset, bringing immediate attention to his calm and meditative presence.
Next, I moved on to the distant temple, using mainly blue tones to give it a sense of depth and distance. This created a subtle background that didn’t overpower the central figure. For the temples in the mid-ground, I used cadmium orange and permanent violet, adding warmth and some detail.



The foliage and the Bodhi Tree were painted using the wet-on-wet technique. This allowed the colors to blend naturally, creating a vibrant yet harmonious backdrop. I used gamboge yellow, cobalt blue, and French ultramarine to achieve a lively mix of greens that complemented the peaceful scene.
For the banyan tree, I began with a wash of raw sienna to establish the base color. To add depth and texture, I layered burnt sienna and permanent violet, giving the tree a rich, earthy feel.


Finally, I added some details to the foliage using a brush to detail a few leaves and a sponge for a textured effect. I also experimented with negative painting to create the plants and leaves in the foreground, adding a layer of complexity and depth to the scene.

Through this process, I aimed to create a painting that takes inspiration from Buddha and showcases the fluid beauty of watercolor. This journey under the Bodhi Tree in my painting is a testament to the spiritual heritage of Bihar and my personal connection to it.














